Laurie Sheck interweaves the contemporary with the mythic, creating a realm in which such things as radios, skyscrapers, expressways, and mannequins are at once familiar and strange; immediate, yet tinged with the light of distance and myth. It is a realm where faces on a television newscast disappear "into the undertow / of hunger for the next thing and the next," and mannequins "stand in their angelic armor."

Placed at intervals throughout these pages is a series of poems entitled "From The Book of Persephone," poems that explore the underworld through a fractured contemporary lens, depicting it as a psychological landscape of isolation and desire.

As Mona Van Duyn said of Laurie Sheck's previous book, Io at Night, "When her sensibility and the reverberating myth are in perfect conjunction, the extraordinary happens: the mythical figure enters the poet's imagination so consumingly that it is impossible to tell whose life, whose feelings fill the form on the page." "It's daring of Laurie Sheck to have made the myths surrounding Io so crucial to the central tenor of her poems, but the themes of exile, distance, and freedom from the falsehoods of secular appearance weave the title into her images, along with her own dedicated attention and moral passion." -- W. S. Merwin

"Io at Night is a rare achievement: A delicate, truly poetic sensibility has internalized and transmuted powerful myth, making memorable verse. Central to the collection is the classical myth of Io, with its resonant themes of exile, loss, and the longing for return, that provides explicit text for five poems and subtext for the rest of the collection. Io herself becomes both a living presence and metaphor for a fullness, whether of knowledge or being, only rarely achieved."

-- Robert E. Hosmer Jr., America

"Sheck's subjects are unabashedly big and not the least bit quaint. In her best poems the personal and mythic conspire to create an altogether memorable human story." -- Henri Cole, Poetry