Showcasing both the diversity within and the porosity between the 'centre' and 'periphery' in Renaissance art, this volume explores the material mechanisms for the transmission and evolution of ideas, artistic training and networks, as well as the dynamics of collaboration and exchange between artists, theorists and patrons. The chapters. 'This absorbing collection of essays on early modern Italy combines shrewd cultural analysis with often surprising case studies, ranging from the planning of St Andrews as a "new Rome", to sharply focused accounts of works by Michelangelo, Titian and Veronese. Following the groundbreaking example of Deborah Howard's scholarship, a number of incisive essays by architectural historians offer a timely reminder of how art historical understanding is enriched by engagement with architectural history in its broadest sense.' Paul Hills, Emeritus, Courtauld Institute of Art, UK